Analysis of 3 poster covers.

This poster focuses on dark toned colours like black, grey and muted whites.
The restricted colour scheme creates a bleak and oppressive tone, which
reflects the dark subject of animal cruelty and capturing. The lighting is
lowkey with harsh contrasts between light and shadow. The orcas body emerges
from the darkness which connotes to danger and suffering, suggesting something
is hidden. The orca fills the majority of the frame in a close-up vertical
composition making the animal look massive but still confined. The whale is
looking down making it seem subdued and powerless, which challenges the usual
representation of orcas as strong showing that the animal is a victim and not a
threat. The lack of background details creates negative space, showing its loneliness
and lack of freedom. The small scars show injury which reflect the realism of this.
The typography in this is that the title blackfish is very bold but still
simple which shows seriousness. The white lettering contrasts sharply against
the dark background making it stand out more.

The poster uses cold colours dominating with greys, whites and icy blues. These
colours connote danger, isolation and extreme environmental conditions. The
lighting is high key in the snow-covered areas and is hard to see which creates
uncertainty which mirrors the climbers lack of control. The bold red title contrasts
strongly with the pale background which symbolises death and danger. The
extreme use of scale positions humans as small and vulnerable against nature.
The climbers wear bulky gear indicating authenticity and their hunched postures
suggest exhaustion and there is no visible rescue presence which reinforces
isolation. The title “the summit” is in large bold uppercase letters and the
red colouring functions as a visual warning and contrast with the cold tones
and the tagline used factual language and a specific date which emphasises the
realism. The poster clearly signifies that it will be about survival and
disaster about mountain climbing and the poster positions the documentary as tense,
dramatic and tragic.

The posters title is the primary focal point of
written largely and bodley so that it stands out and the secondary text is
smaller but still noticeable. The secondary text creates a sense of empowerment
and hope suggesting the documentaries thematic focus. The dominant vision of
Malala is centred and looking directly at the viewer. This creates a direct
connection with the audience making her the central figure. The warm orange
background contrasts with her red scarf bringing more attention to her. The
colour scheme is prodoiminatly warm, creating a sense of optimism and energy.
The use of these colours can symbolise her courage and passion. The overall
layout is clean and uncluttered making it easy to read and understand.
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